Menu
Cart

Steinberg UR28M

  • $44999


6-in/8-out USB 2.0 audio interface with 2x D-PREs and 3x3 monitoring matrix

Boasting high-resolution audio through its analog and digital I/O alongside the widely acclaimed D-Pre mic preamps makes the UR28M desktop interface the best choice for individual musicians and producers of small-scale projects. The 3x3 monitor matrix for switching between setups, the DSP-powered monitoring and native VST 3 plug-ins in the UR28M provide an eminently flexible recording experience.

UR28M features at a glance

24-bit/96 kHz 6x8 USB 2.0 audio interface

With a maximum sampling rate of 96 kHz and a resolution of 24 bits, the UR28M delivers pristine quality in any recording and mixing situation.

Two Class A D-PRE mic preamps

Yamaha's highly-acclaimed D-PRE preamps deliver a truly transparent and beautifully detailed sound that is unrivaled in this class.

dspMixFX

Latency-free DSP-powered monitoring with REV-X reverb, Sweet Spot Morphing Channel Strip and Guitar Amp Classics.

S/PDIF digital I/O

S/PDIF coaxial digital input and output for connection of external pro-audio equipment.

Monitor control

Digitally controlled monitor level control with DIM, Mono and Mute fed by 3x3 monitoring matrix

Compatible with major recording software

The UR28M is compatible with all major audio editing, mastering, and music production software supporting ASIO, Core Audio, or WDM standard.

iOS connectivity

The CC mode* provides connectivity with the iPad and iPhone through Apple's iPad Camera Connection Kit or Lightning to USB Camera Adapter.

Cubase AI included

Based on the same core technologies as the popular Cubase DAW, Cubase AI offers an intuitive feature set for composing, recording, editing and mixing.

Cubasis LE included

Cubasis LE is a streamlined version of Steinberg’s popular iOS music production app, offering professional music production on your iPad.

Basic FX Suite

Basic FX Suite VST 3 plug-in bundle, consisting of three software components: Sweet Spot Morphing Channel Strip, REV-X and Guitar Amp Classics.

 

 

 


 *Please note that in CC mode you can only use the analog inputs and outputs.

Pure sound for your recordings

Designed for easy access to controls and connectors, the UR28M’s console comes with a single prominent output volume knob for individually controlling the levels of one of three stereo output pairs or the levels of six outputs simultaneously. You can also select between three monitoring mixes set up in the dspMixFx mixer or Cubase which is routed to the selected outputs. Several smaller rotary knobs to control signal levels of inputs 1 and 2 and the levels of the two headphone outputs, while further dedicated switches for inputs 1 and 2 allow you to employ 48 volt phantom power, 26 dB signal attenuation and connecting high-impedance instruments. Other controls include the Dim button for attenuating all line output signals by 20 dB, the Mono button and the Mute button for muting the selected output signal. 

The rear panel provides two TRS line inputs and two Neutrik combo TRS/XLR mic/line inputs alongside six analog balanced TRS outputs plus a coaxial S/PDIF input and output connector. Also included is a 1/8 inch stereo input jack for connecting to a portable audio player or other devices as a reference source.

Best setups for your gear

The UR28M represents a top-notch recording system with plenty of inputs and outputs to connect to microphones, instruments, studio monitors and headphones. There’s a USB connector to hook up to either your Mac or PC that lets you record and mix your productions with the included Cubase AI workstation or other audio software.

And with the free update to version 2, the UR28M also works with the iPad (2 or later) through Apple’s iPad Camera Connection Kit allowing you to record up to four input channels in an iOS audio application, such as Steinberg’s Cubasis.

EXCELLENT SOUND, SWIFT WORKFLOW

The UR28M is a recording and production solution for project studios prioritizing excellent sound and a swift workflow. Connections required for studios such as S/PDIF and routable TRS I/Os are at hand. Also on board are EQ and compression tools in the form of the Sweet Spot Morphing Channel Strips on each channel, not to forget the REV-X plug-in that provides quality reverb for modifying the intricacy of a sonic space and the Guitar Amp Classics effects for studio-grade guitar tracks. The UR28M allows for up to 5.1 surround with its six line outputs.

KEEP ON ROCKIN’

The UR28M interface is ideal for rehearsal rooms. Thanks to its practical size you can place it anywhere and even take it home with you. With analog and digital inputs over six channels plus acclaimed D-PRE mic preamps, UR28M provides everything you need to record your band in pristine audio quality. Record instruments and vocals in the rehearsal room and mix them later on at home or in the studio in Cubase AI or your preferred DAW.

iOS connectivity and free dspMixFx app

With the latest firmware updates, the UR28M introduces iPad connectivity and the free dspMixFx app alongside some other new features. Together with the UR824, the dspMixFx app allows you to utilize the benefits of Yamaha’s custom-designed SSP2 DSP chip directly on your iPad. The dspMixFx app provides latency-free monitoring while running the highly acclaimed REV-X reverb, the Sweet Spot Morphing Channel Strip and Guitar Amp Classics with other iOS audio apps. With the latest update of dspMixFx you can also connect to Apple’s iPhone.

The UR28M close-up

UR28M console

1.    Dedicated high-impedance switches for connecting electric and bass guitars to inputs 1 and 2
2.    Pad switch for high-level input signals on inputs 1 and 2
3.    Phantom power switch for +48 V on inputs 1 and 2
4.    Individual gain knobs for inputs 1 and 2
5.    Phones volume knob for headphones output level
6.    2 track input level control for reference source input
7.    2 track on/off switch
8.    Input level LED meter for inputs 1–4
9.    Output LED meter
10.   Output select buttons
11.   Source select for 3 mix sources
12.   Mix 1–3 indicator
13.   DIM button
14.   Mono mix button
15.   Output level control
16.   Mute button
17.   Power switch
18.   Word clock source indicator

 

UR28M rear panel

1.    Power supply connector
2.    Ground screw
3.    2 track input
4.    USB 2.0 port
5.    Coaxial S/PDIF input/output
6.    Headphone outputs
7.    6 line outputs (TRS/TS supported)
8.    2 line inputs (TRS/TS supported)
9.    2 mic/line inputs (XLR/TRS combo connector with switchable high impedance)

Best setups for your gear

Technology

Sharing the same heritage as the highly acclaimed MR816 interfaces, the URs house outstanding converters and D-PRE Class-A discrete mic preamps. Each interface is completely adapted to your needs while sharing the hallmarks of the UR range: great build quality, stunning sound and flexible, fully integrated capabilities. Ultra-stable drivers for Mac OS X and Windows mean that the entire UR range supports all major recording software applications.

D-PRE microphone preamps

All UR audio interfaces offer D-PRE Class-A discrete mic preamps from Yamaha. The D-PRE is carefully designed to capture all the subtleties and expressiveness of any audio source and is the culmination of years of development by the experienced engineers at the Yamaha Corporation. 

The preamp is where sound creation begins in recording, and ultimately determines the quality of your mix. D-PRE Mic Preamps sound stunning, and the difference is in the design. Usually, preamps use one transistor each for the hot and cold signals at the input stage to amplify the signal. However, the D-PREs specified on Steinberg audio interfaces use an inverted Darlington circuit, where two transistors are used for each hot and cold — a total of four per unit. With only one transistor on a preamp circuit, distortion tends to increase along with the signal level. By using a pair of two cascaded transistors, very low distortion can be maintained regardless of signal level.

Some users might look for a microphone preamp to dramatically color the sound while others search for a very neutral response. For example, some highly sought after vintage microphone preamps excel at amplifying certain components of a given source, imparting a generous amount of color to the signal. Such a preamp might be great for a vocal recording, however those preamps will not suit every use.

D-PRE has a very wide frequency range so that it can handle any music source and it does not overly amplify any specific components of the signal. It’s beautifully tuned to be able to capture the true expression of a given performance or audio source, while leaving flexibility for later editing. The end result is that D-PRE provides a sound that is a perfect amalgamation of understated signal enhancement combined with impeccable sonic integrity. The development team took a lot of time to adjust this subtle balance and the D-PRE sound quality speaks for itself.

All power to DSP

Powered by Yamaha’s custom-designed SSP2 DSP chip, you can enjoy the benefits of dspMixFx technology, which offers latency-free monitoring together with the highly acclaimed REV-X reverb, the Sweet Spot Morphing Channel Strip and Guitar Amp Classics* for users of any DAW software.

Guitar Amp Classics

Guitar Amp Classics make extensive use of advanced Yamaha modeling technology. Four amp types with completely different sonic characteristics are provided, CLEAN, CRUNCH, DRIVE and LEAD. Best of all, you get a DSP-powered version and a VST 3 version of Guitar Amp Classics. So you can record the dry signal with your favorite amp sound without any latency using the DSP version. Once you're done, you can re-amp the recorded track with the VST 3 version.

Sweet Spot Morphing Channel Strip

The Sweet Spot Morphing Channel Strip consists of a sidechain-enabled compressor and a three-band parametric equalizer. Both EQ and compressor were developed to attain a highly musical sound. Its featured morph knob smoothly allows you to morph through both EQ and compression settings in combination in order for you to come up with the ideal sound very quickly just by using one single control element.

REV-X reverb

The REV-X built into the UR824, UR28M, UR44 and UR242 is a complex reverb algorithm developed by Yamaha. Renowned for its high density, richly reverberant sound quality, with smooth attenuation, spread and depth that work together to enhance the original sound, the REV-X features three types of reverb effects: Hall, Room and Plate simulations with reverb time and level control.

True Integrated Monitoring

When using Cubase, all the advanced monitoring capabilities are fully integrated into the application's GUI by True Integrated Monitoring technology. All aspects of I/O handling and DSP management are handled directly from within Cubase. Cubase automatically embeds your device into the Cubase production environment and manages all audio streams with perfect sync, allowing for a highly efficient workflow that boosts productivity to new levels. 

Plus, the URs feature direct integration into Cubase with dedicated windows and views that only appear when they are connected, providing full control of the hardware’s functionality from within Cubase itself.

Loopback function

For easy live streaming of performances to the internet, the Loopback function consolidates all playback tracks and input channels and routes the mix to your internet streaming software. This function is often used by hosts of internet live streaming programs. When the function is active, incoming audio signals such as microphone, guitar or line source will be merged to the playback signal from an audio playback software like Cubase or other DAWs inside the computer. The merged signal will then be send back to the computer for streaming.

192 kHz

All components are carefully selected and implemented for full resolution of high-end audio of up to 24-bit/192 kHz. A higher sampling frequency means more samples of the audio source, resulting in better reproduction of the original sound, contributing to the naturalness of audio image and ambience.

CC Mode

All UR interfaces can be switched to CC (Class Compliant) mode*. In this mode the interfaces work with the iPad and iPhone. Combining the UR units with an iOS audio application, such as Steinberg’s Cubasis for iPad, you get a fully mobile audio recording solution.

 

 

 


We Also Recommend